
Monday, September 24, 2007
"Mostly Egyptian"
9:28pm

Lintel of Sesotris, Naq el-Madamud, 12th Dynasty, [Cairo Museum],
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One reason why reading Wilkinson's book is slow going is I am hopping around alot. He directs you to go here and there, and I get reading on a different page, and sometimes forget where I originally was. My eagle eye did catch the similarities between the two line drawings above, however. So I had to scan them and place them together, this way getting a better idea of what the lintel looks like. (Not being likely that I will get to the Cairo Museum anytime soon...) I did catch wind of two upcoming exhibitions on our own continent. One is at the Metropolitan Museum in NYC:
Gifts for the Gods: Images from Egyptian Temples "Throughout their long history, the ancient Egyptians used copper, bronze, gold, and silver to create lustrous, graceful statuary. Most characteristically, these works stood at the crux of their interactions with their gods, from ritual dramas that took place within the temples and chapels that dotted the landscape, to the festival processions through the towns and countryside that were thronged by believers. This important loan exhibition, the first to focus on the art and significance of Egyptian metal statuary, as well as the influences acting upon it, will present some 70 superb statues and statuettes created in precious metals and copper alloys over more than two millennia, including rare examples from the Third Intermediate Period (1070–664 B.C.)—the apogee of Egyptian metalwork." Accompanied by a catalogue. I could almost go there, but the timing is all wrong. There is no word if this will travel elsewhere. I'll definitely get the catalogue, though. Holdings from another museum in NYC will be travelling, however: "The Brooklyn Museum has organized an exhibition of 107 objects from its world-renowned holdings of ancient Egyptian art that "will go on a nationwide tour beginning in the summer of 2008 and conclude in the fall of 2011. The presentation, titled _To Live Forever: Egyptian Treasures from the Brooklyn Museum_, is slated to travel to more than ten venues. Among the venues to which the exhibition will tour are the Indianapolis Museum of Art, the John and Mable Ringling Museum, the Columbus Museum of Art, the Chrysler Museum of Art, the Phoenix Art Museum, the Joslyn Art Museum, the Norton Museum of Art, and the Frist Center for Visual Arts, with additional venues to be announced." It's coming to "The Phoenix Art Museum!!!" That's a for sure 'can-do' adventure, and I will keep a tab on its arrival in Phoenix. Meanwhile, to change the subject abruptly, I came across some interesting health advice: "Dairy foods contribute about 70 percent of the calcium in American diets. This necessary mineral is a principal constituent of bones, which constantly lose and regain calcium during normal metabolism. Diets must contain enough calcium to replace losses, or else bones become prone to fracture. Experts advise consumption of at least one gram of calcium a day to replace everyday losses. Only dairy foods provide this much calcium without supplementation. "But bones are not just made of calcium; they require the full complement of essential nutrients to maintain strength. Bones are stronger in people who are physically active and who do not smoke cigarettes or drink much alcohol. Studies examining the effects of single nutrients in dairy foods show that some nutritional factors—magnesium, potassium, vitamin D and lactose, for example—promote calcium retention in bones. Others, such as protein, phosphorus and sodium, foster calcium excretion. So bone strength depends more on overall patterns of diet and behavior than simply on calcium intake. "Populations that do not typically consume dairy products appear to exhibit lower rates of bone fracture despite consuming far less calcium than recommended. Why this is so is unclear. Perhaps their diets contain less protein from meat and dairy foods, less sodium from processed foods and less phosphorus from soft drinks, so they retain calcium more effectively. The fact that calcium balance depends on multiple factors could explain why rates of osteoporosis (bone density loss) are highest in countries where people eat the most dairy foods. Further research may clarify such counterintuitive observations." I eat rather sparingly of milk and cheese but do eat a few eggs each week and take supplements with calcium, magnesium and zinc . I don't eat meat, and it's interesting that not doing so helps my calcium balance. I do know I feel much better without it, which was a great surprise. I used to have frequent stomach upset, going through a card or more of antacids to quell it, (about ten times the recommended dosage). So I don't miss that. I've always eaten a low sodium diet, knowing it's good for the blood pressure. Viola, it's also good for the calcium retention as well. I rarely drink sodas, preferring the Pellegrino or Perrier fizzy water with a bit of Torani syrups instead. I'm in pretty good shape for the shape I'm in. Sigh! |

Tuesday, September 25, 2007 A
"Patient Contemplation"
6:51am
Later note: Yes, I know that hand pose is odd.
I tested it, it's possible, but darned uncomfortable!
(But of course her pointy ears and horns are MUCH more odd!)
| Quick, for my arm over head was getting very tired! |

Wednesday, September 26, 2007 A
"Automa-Tom"
7:02am
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I was puzzling over what to name him, "He who is easily irked, He who is easily manipulated, etc, etc," when Julia walked by, took a look, and said, "I know who he is, he's 'Automa-Tom'" And so he is.
Later note: I hope I am not ever like that, being robotically reactive. What he is viewing looks like a cross between a computer monitor and a automated teller monitor. He is performing to his externally derived programming.
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Wednesday, September 26, 2007 B
"A Longing for Excitement"
"A longing for excitement can be satisfied without external means, within oneself; for creating is the most intense
excitement one can come to know."
-- Anni Albers
I find this true in my life. Many people to look at me - pale and shy, retiring, nearly mute in many social situations, might not think that I experience a longing for excitement. Certainly, I would be a 'wallflower' at their parties.
But 'wallflowers' have other places they can bloom, and often vibrantly. Oh, the life of the mind! And the life of creation! I feel so utterly alive when I am creating my art. It is scary, for I might ruin my effort. It is exciting, for I seldom have a clear idea how a piece will turn out. It is a process of discovery. Other excitements may have their momentary bursts of thrill, but the thrill of creating has a uniquely regenerating effect.
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Peacocks and Peonies I & II 1882, stained glass John La Farge born New York City, 1835 died Providence, RI 1910 |
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"John La Farge's stained-glass windows reflect the Gilded Age fascination with
medieval art and craftsmanship. The Industrial Revolution had made
inexpensive, mass-produced glass available to anyone, but art glass remained
an emblem of wealth and good taste. These windows were commissioned by
Frederick Lothrup Ames, a railroad magnate who had them installed in the vast,
baronial hall of his Boston house. The tail feathers of the peacocks are made of bits of glass in the "broken" technique; each peony blossom is a single piece of glass molded to catch the light differently through the day. La Farge layered his colored glass as a painter would build glazes of colors to achieve the right shade. For the composition, he borrowed from many cultures: the central panels with the bird and flower motif evoke Chinese and Japanese screens; the lower panels emulate Pompeian architecture; and the transoms above recall the tympanum above the door to a Romanesque cathedral." [Smithsonian American Art Museum]
![]() Close up of one of the 'wallflowers' |

Friday, September 28, 2007
"Easy Flight"
9:13pm
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Even though he has wings, he has a magic flying carpet!
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Saturday, September 29, 2007
"Kaleidoscopes"
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Saturday, September 29, 2007 C
"Bearing the Fire..."
10:46pm
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