Tuesday, July 8, 2008

"Cloaked Egyptians"
8:36pm


Cloaked Official
Middle Kingdom, early Dynasty 13, ca. 1759-1675 B.C.
Red quartzite, provenance not known
Brooklyn Museum 62. 77.1 Charles Edwin Wilbour Fund

(from the info card)
"The Twelfth and early Thirteenth Dynasties comprised one of the most creative artistic epochs in Egyptian history. Artists introducted many new sculptural forms - some that continued for centuries and others that were soon abandoned.

"One of the period's most dramatic and long-lasting innovations was the cloaked statue. The cloak symbolized the god Osiris, whose corpse was wrapped tightly in bandages and who was eventually reborn to everlasting life. Individuals shown with their bodies shrouded in a thick mantle thus expressed the wish to be reborn following their own physical deaths."

I've got a bone to pick with that info author. Couldn't the cloak merely have expressed the way the person liked to wrap up when it was cold? And why would those dressed for summer heat have wished any less for that reincarnation?

The Met museum has a Middle Kingdom cloaked man, seen near a less warmly dressed man:


Statuette of a Cloaked Man
Mid-Dynasty 12 (ca.1850 B.C.) or later
Fine-grained limestone
Gift of J. Lionberger Davis, 1966 (MMA 66.123.1)

This man looks as if he's standing there, patiently waiting for someone.

Meanwhile, the cloak does indeed appear again later. Here's a cozy looking fellow from the Eighteenth dynasty:


Ahmose, also known as Ruru
Schist, New Kingdom, joint reign of Hatshepsut and Thutmose III, ca. 1478-1458 B.C.
Provenance not known
Brooklyn Museum 61.196, Charles Edwin Wilbour Fund

(from the info card)
"Middle Kingdom style influence Eighteenth Dynasty royal and nonroyal sculpture and relief until the middle of the dynasty. This seated figure represents a man named Ahmose, who the inscription reveals was commonly known as Ruru. The artist depicted Ahmose in a wig and a cloak derived from Middle Kingdom prototypes. The short chin beard, wide eyes, and strongly arched brown, however, reflect the style of his own time."

Let's have a close up of their faces:

The Middle Kingdom dude is depicted with disproportionately huge ears. Maybe this was part of the individual's physical characteristics to some extent. Or maybe he was an exceptionally good listener. I like to imagine him seated cross legged on a chilly night, listening to music or a storyteller.

Wednesday, July 9, 2008

"Voltaire and Life of the Mind"
6:24am

I felt in a mood to go look at photos I took last year. It wasn't very long before I saw the intriguing face of an older man, looking rather bemused. Who was he, that some sculptor found it rewarding to sculpt him and that his sculpture be showing in the National Gallery of Art?

I pulled up the image in Photoshop and had a closer look:


Voltaire with a Perruque
marble, 1778
Jean-Antoine Houdon
French, (March 20, 1741 – July 15, 1828)
Widener Collection

Who was he?

Voltaire (1694-1778) - pseudonym of François-Marie Arouet: "French writer, satirist, the embodiment of the 18th-century Enlightenment. Voltaire is remembered as a crusader against tyranny and bigotry." (Source)

I gathered up several of his quotes, about the life of the mind and liberty.

"Think for yourselves and let others enjoy the privilege to do so too."
Essay on Tolerance

"Those who can make you believe absurdities can make you commit atrocities."

"Liberty of thought is the life of the soul."
(from Essay on Epic Poetry, 1727)
(Source)

"We only half live when we only half think."
(Source)

"Man is free at the instant he wants to be."
Source Brutus, act II, scene I (1730)

"What we find in books is like the fire in our hearths. We fetch it from our neighbor's, we kindle it at home, we communicate it to others, and it becomes the property of all."
"Il en est des livres comme du feu de nos foyers; on va prendre ce feu chez son voisin, on l’allume chez soi, on le communique à d’autres, et il appartient à tous."
"Lettre XII: sur M. Pope et quelques autres poètes fameux," Lettres philosophiques' (1733)

"Paradise is where I am."
"Le paradis terrestre est où je suis."
Le Mondain (1736)
(Source)

What a virtue, to have such an evolved consciousness, that owing to its strength, anywhere we roam is paradise!

Thursday, July 10, 2008

"More Interesting Scarab Backs"
10:50pm


From
_Memphis I_, by W. M. Flinders Petrie

He says of these and others:

"PI. XXXIV. The scarabs were found partly scattered in the general excavations, but rather more than half came from the Merenptah temple court, which was filled up with later houses.
"A very few are are as old as the XIIth dynasty; probably 1,2,6 and 7 may be thus dated.
"It is difficult to decide how many may belong to the XIXth dynasty ; but probably 23, 26, 27, 28 can be safely put there."

Number 54 appears to have a Set hieroglyph. Also I wonder if its reverse side is the 'Set and Horus Blessing the Pharoah' theme? Number 11 has an interesting sphinx with the double Ma'at feathers and 'Menkheperre'. I'm fairly sure 26 has Thoth on one side and possibly Ptah is on the other. Twenty seven has a definite Ptah with two interesting critters atop the djed pillers. Set and Horus, maybe? Fifty six, maybe it's a Set animal. And number two, I included for reasons having nothing at all to do with Egyptology. The design looks like 'USA' - (United States of America). If one wanted to lean towards 'pyramidiocy', one could say the artisan was being prophetic.

Or 'possibly' evidence of time travel: Julia joked, "A Connecticut Yankee in King Thutmosis' Court".

Saturday, July 12, 2008

"Small Things"
7:02am

Small things can be enormously irritating, depending on what they are. The following 'small thing' proved very irritating this week:

See the imperfection? It's been magnified to show the details. Compare it with a perfect needle plate, (that one for my sewing maching at home). My machine at work had been behaving badly this week. I kept adjusting the tension, puzzled at why the top thread was getting pulled through to the back too much and even breaking at times. I decided I'd give the bobbin case area a cleaning, even though I'd just done that just last week. When I removed the needle plate, I found the source of trouble. Recent needle breakage had severed the circular needle hole, causing hooked ends where it was severed. Those ends were catching on my thread.

I always try to keep a replacement on hand for the items that break occasionally. However, I'd just made a big supply order and neglected to ask for a new needle plate. I was so mad at myself. But Friday, I found I did have a replacement, and when I pulled its perfect form out of the plastic envelop, I almost kissed it.

However, today is Saturday, and I will cease thinking about work related matters.

I've been digging into the Etana web resources, downloading everything I can find concerning ancient Egypt. Last night, I was amused with one image, while waiting for another pdf to finish loading:


From _Meydum and Memphis III_, by Petrie

He describes this terracotta figure as being 'Indian'. Much of her details are a mystery, but what manages to show intrigued me, her eyes begging to be drawn:

She looks a bit like Frida Kahlo.


Khasekhemwy

Also, I've updated the ancient images of Set with the serekhs of Khasekhemwy.

Monday, July 14, 2008

"Two Griffins
4:30am


Griffin from a
limestone headrest of of Kenherkhepeshef
Nineteenth Dynasty, now in British Museum
from _Hieroglyphic Texts from Egyptian Stelae_, Part 12, published by the British Museum

This Griffin has an unusual headress. In my crop, it appears as if we're seeing him through a cave opening. As I looked at him, I felt in the mood to draw. But instead of clutching swords, as the first Griffin does, this Griffin is clutching pens and...


Words are ideas...
ideas can be very powerful,
everything begins with an idea!

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