Thursday, August 7, 2008

"Khnum, Ready to Uphold Ma'at"
7:16pm


Nicely caught in the light of the setting sun...

Friday, August 8, 2008 A

"Rough Image"
10:22pm

I've only gotten to the Grand Canyon photos, much more from my trip journal remains to be transcribed from the moleskine. But I must break into the present. The Photo Friday theme is ROUGH. I have a ready contender for 'rough', as the bark from the Ponderosa pines we saw in Williams and Flagstaff certainly is ROUGH:


Bark of old-growth Ponderosa Pine tree at Kaibob Forest

As I mentioned earlier, the bark of the old growth trees has a mildly sweet fragrance which both Julia and I tested.

But what amuses me as I look at the rough bark photo is there's a ROUGH image of a very Set-like donkey in it:


The donkey is one of the animals associated with the Egyptian god Set

Yes, we are 'pattern seeking animals', as the skeptics love to remind us. But part of that 'pattern seeking' is what enables us to give meaning to life. At the very least, this characteristic can amuse us.

Friday, August 8, 2008 B

"Eight for 08-08-08"
2:37pm

Via the Friday Illo blog, I read about the "Crazy Eights Portrait party, eight portraits in honor of it being 08/08/08. Julia didn't mind at all being part of this little project:

1.one-minute portrait: each partner draws the best portrait that she can in sixty seconds.
2.continuous line portrait: each partner draws a portrait without lifting his pencil off the paper.
3.blind contour portrait: each partner draws a portrait without looking at his drawings.
4.ambidextrous portrait: each partner switches hands to draw her partner. (if you are right-handed, draw with your left hand. if you are left-handed, vicey-verse it.)
5.upside-down portrait: each partner draws an upside-down portrait of his right-side up partner.
6.tonal portrait: each partner draws the tones of their partner's face, not necessarily the lines or the features.
7.mnemonic portrait: each partner draws a portrait of their partner from memory.
8.eight-minute portrait: each partner draw the best portrait that they can in eight minutes.

As I understand the complete project, Julia was to have drawn me, too. So this is one half a portrait party. Still, it was fun. I didn't make a html to hold the larger version, so just use the back arrow button (or 'control,back arrow button on the number pad if you use _Opera_) to return to this page.


one-minute

continuous line

blind contour
I quickly got lost!

ambidextrous

upside-down

tonal portrait

from memory

eight-minute
For all except the 'upside down' one, Julia sat at the table behind me at the computer. For the one minute, we used the heating up of some tea as a timer, for the eight minute, Julia looked at the clock visible from where she sat. For the upside down, I had her lay down on the bed, and I positioned a stool where I could see her.

Sunday, August 10, 2008 A

"Trip Journal All Online!"
10:52am

I even did spell check on it! Start here to begin at the beginning.

Sunday, August 10, 2008 B

"Untitled Drawing"
10:03pm

Tuesday, August 12, 2008

"Strange Dream After a Blah Day"
6:43am

Waking early, eating healthy but tasty oatmeal that Julia made. I opted for the healthier choice over an omelet. Last night, both of us felt so draggy and icky. Maybe it is the blahs after the first day back at work. I figure eating healthy will help.

Oh, what a nightmare I had! I was to go to a gathering of people for a conference type thing. But I had trouble getting on the plane. I didn't bring my ticket info and I also forgot my suitcase. I would be spending the whole conference in the same blouse, skirt and vest. Oh well. Then I missed the plane all together. But somehow I ended up at the conference anyway. I was at the hotel of the gathering, in the buffet line. I'd been at this hotel before, so they thought I'd paid the fees. But I hadn't. I was really piling my plate up, all sorts of green salads, some with shrimp, and then salmon and potatoes.

Next I was at the airport, and a plane was coming in to land. It crashed, and I thought, wow! I'm glad I'm not on that plane. Apparently that would have been my plane back had I gone the plane route.

So next I just wandered the city, in a state of total shock. I jumped at the slightest noise, ducking for cover. I thought I heard another plane falling, so I ducked under a thick brick buildings walkway. I didn't know if I was safe there, if the plane crashing would just make the whole heavy building crash on top of me.

I woke up, feeling really bewildered by all that, and hoping there's been no plane crashes anywhere.

Wednesday, August 13, 2008

"Dream - Drinkseller"
6:10am

I went to bed very early last night because my sinuses hurt so bad. I woke feeling somewhat better, after a strange dream.

In the first part of the dream, I was wandering with a group of three or four people. I was definitely far from home, but the destination was uncertain. A dark haired man, maybe in his thirties, told us, "I never travel anywhere without bringing my own water. You don't ever want to depend upon the local customs for something so important."

I'd done just that. I was next in a mall, and thirsty. I came upon a drink seller, and was curious about the bottle of green liquid he proffered:


"That is Ahh-h-kenahten, are you sure you want that?"

He looked a bit like
Severus Snape and sounded a bit like Omar Shariff, but with more vowel spitting. I tasted it, despite his vague warning, and it was horrible. It was similar to a nasty peppermint schnapps, but worse. However, he gave no refunds!

And I was still thirsty. I woke up thirsty, glad for good water.

Thursday, August 14, 2008 A

"Wonder-Wander"
4:48am

I wake with lots of thoughts...
Maybe I will try 'stream of consciousness':

On this day of this awakening, I breathe in the still hot morning air, breathe it in deeply and quiet myself to see what might arise. So many questions arise in me, like flowers on a hillside, buds now, but with the possibility of such blooming into what radiant colors, I cannot know.

Question no: 1: How is this, the effect of the rounded birth-body on me? In how many subtle ways does femaleness effect me?

I have the sense of my immortal bits as being omni-sexual, but here, rooted into earth, I am in a female body. Does this effect the vision of my art? Would I draw differently if I were male? I think of the cozy domestic scenes of Mary Cassatt versus the stormy ocean scenes of Winslow Homer.

Are females more apt to feel self-doubt than males? Or are we just more free to express self-doubt, it being no assault to a mantle of masculine strength?

And how have we caved in through history, in ways repeatedly, that might have not happened in such a way had we not conceded to male domination? (A point Julia made, 'we raise the children, sons and daughters, could we not train them differently?') And sad it is, in this year of the athletic contests, some countries do not even permit female athletes to join in.(And sadder yet, that is just a small part of it.)

I cannot know the whole of it, grasp it all in my mind's hands.

So I hold what I can, and think of what empowering images I can. In my favorite pantheon, Nuit (the Mother of the Gods) embraces us all, Ma'at (the beautiful, true and just) is given expression as a Goddess, Isis is the heart of magic and Sekhmet is the protective Mother.

We can choose better for ourselves as we join in the sacred dance and all dances.

I let the wispy dandelion fluff of other questions go now, they will, when remembered, take root for other musings. This morning, this wonder-wander is enough. The morning air is still hot, there are no breezes, but I always know the way home.

Thursday, August 14, 2008 B

"Wonder-Wander II"
5:52am

More sleep, I did try, but the house was too hot. The AC is on now, and the air seems more breathable.

It is funny in all of this meander, I think of my favorite deity, Set. Of all the gods, he is the most masculine. I like to imagine a pan-pantheon Olympics, and Set would be there, winning gold in every event, he of the 'Gold-town', tearing it up in track and field and thunder bolt tossing and...

...yet Set acknowledges his mother, he is 'Son of Nuit', and is within Ma'at and upholds Ma'at. He is nothing like the dictionary definition of "god": "A being conceived as the perfect, omnipotent, omniscient originator and ruler of the universe, the principal object of faith and worship in monotheistic religions." (m-w.com)

Perhaps Setians give more to Set's role than Kemeticists do. (Maybe it is my imagination that it is Set at the beginning, and there in the hidden aspects of Amun, etc. Yet there's a reason the gods are all holding Set's scepter, for his power is in them all.) Most importantly you cannot know a deity solely by what the objective scholars of antiquities are able to draw forth from fragmented evidence.

And so I have my subjective experience. And it is a rich world of inner experience. You cannot judge my inner experience, nor can I judge your inner experience. People may try, but no one can really know just what another is experiencing. I may infer by what so-and-so says, that his experience may be similar to mine. But it is only inference.

What people can judge, however, is how that subjective experience results in objective actions. I may think that it is Set who gives the gift of consciousness awareness (the 'I AM'), the curiosity, the pride, the drive to survive, exceed, and drive past the boundaries of my limitations. But how does this manifest in real world accomplishments?

And so I, like the patient scarab, keep pushing 'the dung ball' up the hill of whatever resistance I experience, keep struggling, and know the real gold-prize is within.

Thursday, August 14, 2008 C

"Pan-Pantheon Thunderbolt Shot Put Results"
7:29pm


GOLD : SET
SILVER : ZEUS
BRONZE : THOR

Saturday, August 16, 2008 A

"Art of Imagination and Wonder"
3:33am

On Thursday night, I wanted to stay up late enough to see the womens' gymnastics. I lasted through the ladies sand volleyball, and an interview with the artist who designed the Beijing 2008 logo, but couldn't manage to last further. However, I was glad to have seen that interview. The logo is meant to be like a traditional seal, and also evolved from the 'Jing' character, part of the city's name, into an active, dancing 'person'.

I was impressed with the gentle man and his quick but graceful brushstrokes.

This discovery was followed by another. Friday morning, I checked the results from the Photo Friday 'rough' theme, to go make my votes. I check the links first from names I recognize, and so I came to 'midwinter-az'. This photographer is Tucson based, and I always enjoy seeing photos from Tucson. I followed through to their whole set of photos from 'The Valley of the Moon', an aging fanciful theme park. Then I was curious about it, and Googled, finding a website. It is older than I thought, being built in the 1920's by George Phar Legler, who "decided there should be a place where everyone could express their imagination, and heal the mind and spirit, and Valley of the Moon was born.", after one of his smaller creations brought joy to a dying fourteen year old girl. He assembled the place out of whatever he had on hand, and "gave tours to anyone, but loved the children. He called himself the Mountain Gnome, and with a high, gravelly voice that was both gentle and engaging, he told stories of the Fairy folk who lived at Valley of the Moon and did magic illusions."

They are now working to restore the park.

In the evening, I wanted to learn more about the Chinese artist. He'd had a rough time during the 'cultural revolution', but kept at his art anyway. "'It is just because I experienced too many losses and sufferings that I cherish love today,' Han Meilin said. Known to have suffered a hard childhood and to have faced extreme difficulties during "cultural revolution" (1966-76), the artist believes one can benefit much from acting and thinking like a child. In fact, Han said he always keeps a mind of a child which helps feed the naivety, optimism, courage and love in his works -- all part of his attitude toward life."

Here are two artists with 'the mind of a child'. As I looked at Meilin's online gallery, many pieces have the playfulness similar to that of Alexander Calder. Whatever mis-judgments the Olympics have had, making the young girl who sang hide, while another girl deemed prettier lip-sync-ed, among them, at least Han Meilin's art is getting recognition. Oh, his art was being noticed as early as 1980, having been shown in the United States in twenty one cities. But now the larger world knows about him, not just a select minority of the art world.

If I pay attention, I find teachers everywhere!


Meilin's bird speaks to my character!

Forward...
Go Back to Archives...
Go Back to Main Journal Index Page...
Go to Index of Joan's pages...


© Joan Lansberry