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Tuesday, October 21, 2008
"Duo"
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(When I return in the evening, I may put this to a new page, so this section isn't overloaded with K-heavy images.
But for now, gotta fly!)
Wednesday, October 22, 2008
"Some Thoughts on Horus and 'Rulership of the Outer World'"

6:23am
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I wake thinking about Horus and 'rulership of the outer world'.
It is an ineffectual thing to just take the 'world's' definition of that. As in, you are succeeding only if you are rich, famous and thin. What is it really? As I go to my Higher Self to refine this, it comes to me there's a radically different definition. The Egyptians were masters of symbols. Think of it, the ba bird, human headed bird as symbol for the soul, the spirit, and Horus the bird headed man as neter of this kingship. We have here together the union of the spiritual and material. It is the view of the Satanist which just concentrates on the materialistic. It is the view of the 'love and light' people to just focus on the spiritual. But we are immortal spirits housed in temporary flesh bodies. It is through the material that we have the ability of influence. I'm not saying someone's spirit, after they die, has no influence. But we really can't know what sort of influence. What influence there is is likely because of those things they have done while incarnated. Kipling's poem 'If' comes to mind:
Someone wrote a poem geared to girls, ending with 'you'll be a Woman', that was in one of my cards at Junior High graduation. But I like this one better, if we ignore the gender specific ending. Here's the totality:
Not that 'Triumph' is an 'imposter', but we shouldn't have our heads turned by it. Now Pride, the sort that Set urges us to have, is not externally based. It does not depend on whether others praise us. What of the line 'don't look too good, nor talk too wise'? Possibly this is the effect of not examining our subtle communications. If we do this, we may not be able to influence a situation in the way we'd hope. We have to put our words into terms people around us can understand. I think to 'rule in the Outer world' is to have influence, to cause things to evolve in a better way than they would have. If we can introduce new ideas, suggestions for improvement, in ways those around us will take to them, then we are on our way. The application of this has infinite possibilities to the creative imagination.
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Thursday, October 23, 2008
"Much Wakefulness after a Scary Dream"
Julia and I were in some Middle East country, (Iran?). They were evacuating anyone who was not native or Moslem. Yesterday, the Jews had to leave, today it was everyone else. Something terrible happened there just before. We were at the airport, in a store there, buying something. The clerk was intuitive, knew something about Julia, "You saw Dr So-and-So, but you first saw Dr. Such-and-Such." Julia, surprised at her level of perception, replied, "Yes, I did not like Dr. Such-and-Such, but Dr So-and-So, I really like him." I wore (or was carrying some small sculpture or jewelry (an amulet?). She noticed it, "That comes from Ohio." Surprised, I said, "I bought it in San Francisco, but the artist who made it lives in Ohio." There was a real connection there, in the midst of all the fearfulness about the terrible things happening. I woke up, and laid in bed awhile with thoughts before getting up. Am I picking up on something happening 'over there'? Skeptics would counter, "But there is always something happening 'over there!" Sure enough, a scan of the news items collected by Google reveal 'something happening':
Voice of America reports:
"Pakistan's parliament Wednesday called for an urgent review of the nation's security strategy, with an emphasis on dialogue aimed at reducing violence."
The BBC explains:
"Figures compiled by the BBC Urdu service show that some 80 people have been killed in a number of suspected US missile strikes in South and North Waziristan region over the past month."
There is a wide variety in the numbers of dead reported, depending on the source. The target is Taliban militants, but is difficult to know how many innocent people got killed in the process.
Yes, I could be picking up on a strong "Yankee, go home" current, mixed in with a lot of other flotsam and jetsam floating in my mind. But what is hopeful is that sense of connection.
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Friday, October 24, 2008
"Too Bad to Repair, So Sad!"
Clothes do wear out. As I stitched, I tried to remember all the things I have worn out. Sadly, in my nearly fifty years, I haven't worn out that many items. I've usually found things unwearable because I've grown too big for them. But I have worn out a few cherished items. The first was a black wool coat I'd bought while in high school. It was my first really big purchase. I went on the bus downtown with the necessary money, and found a good one on sale. In the store's light, I thought it was navy. But the sunlight revealed black. When the lining became shredded, I relined it. But eventually, the elbows wore too thin. I remember I did take it with me to Arizona in 1987, nearly fifteen years after I'd bought it, I couldn't leave it behind. I'd had too much history with it. But not too long afterwards, I did reluctantly place it into a trash receptacle. It felt like a burial. And then there was two blouses and a skirt I'd bought shortly after moving to Arizona. I remember I got them all at Lane Bryant, size 14/16. The skirt was a perfect honey brown twill, 'trouser' style zipper. I loved that thing. I wore it until its pleats about tore, and the backside was (my gramma used to call such 'rump-sprung'. Well, actually, to be more precise, she'd say "Aunt Cora used to call such 'rump-sprung'")... ...I _had_ to give it up. The two blouses, both seersucker, failed not too long after. One was honey brown and ivory checks, perfect for my coloring. I wore it when Laura, a friend of ours named Felicia and I went to the Tucson zoo: |

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The other was mostly peach. Both short sleeves, it was the back yokes that gave way. A couple of other blouses had cuffs and elbows that were shabby, but I fixed that by making them short sleeved. Thus I was able to keep wearing them until, you guessed it, I grew too wide for them. Those items were all I could recall. When I got home this evening, and checked my e-mail, I found the Friday Illo subject this week is "Repair". How appropriate for my thoughts today!
![]() Too bad to repair, so sad!
"O re, Geb, Nut, Wsr, Heru ! Make well the heart of this suffering man ! Lead him back to life as you made the heart of Re revive durring the attack by Nehaher. Drive out the poison that is in his body as you banished the venom of Apep which was in the body of the great god!
God gives life to the one he loves."
'Amuntet' doesn't say where she found this, from what ancient text. However, I was curious and began poking around her journal. I soon came to a
page on Set. The text is from Christian Jacq, new to me, and concerns Set's ability as a healer. There's an image there of a very intriguing Set. I tried tracking 'QueenKichaa' down, but she's pulled down her art gallery and left no forwarding address.
I noted she uses a jackel snout, so I combined donkey ears with a jackel's snout similarly (the models found on Wikipedia). Here is my sketch screen:
![]() I used my own hands and a mirror for his hands...
"My hands are small I know
"We are God's hands...", hmm, reminds me of a certain invocation, of which some of you will know to what I refer...
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Sunday, October 26, 2008
"Refreshing Fresh Air"
Having had to work Saturday, we hadn't had a weekend walk. It was beginning to heat up by 10:00am, but I figured we wouldn't bake too badly. So we got out of our nightgowns and got dressed. I did have presence of mind to bring a camera. I decided on West Wetlands park, because of the shaded ramadas under which we could rest. When we got there, intriguing arrows were laid out on the path in a white sand: |


Julia had worn her old tromping shoes, so she was up for it...

The arrows had us zigging and zagging until we came across the Colorado river...


Two ducks were frolicing in the water...
| The arrows then led uphill, and to return to the entrance. But I was curious. I had my camera, and that statue we'd seen earlier wasn't far from there. Very near to it is a bridge, and I think there must be plans for future development in this area: |


Standing on the bridge, we can see the statue of the Mormon soldier Philemon Merrill by R.C. Merrill.
(Yes, we can see two awful highway signs, as well!)

This angle reveals the nice fabric treatment...

This angle had been all in shadow until considerable tweaking...
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By this time, it was getting rather hot, (near 90F 32C), so we took some time to rest underneath a ramada. I was glad Julia had thought to bring a canteen of water. It and the AC revived us until we got to our destination. I was curious about the Happy Greek Chef restaurant. Their radio ad teased us with the promise of pie. Did they have spanokopita? They call it 'spinach pie', but yes, they do have it! Fronimo's in Tucson might have better, but it's nearly 400 miles away. This 'spinach pie' will keep us until our next Tucson trip. Also, my fish fillets and fries were tasty, as well. And the prices were cheap. We'll be back. We returned to a quiet house, the tortured singers having been silenced, and my sinuses do feel better for the fresh air and walk.
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Tuesday, October 28, 2008
"Aftermath of Accident"
The morning got stranger. On route to work, I found the road all blocked off, with a massive detour. My co-worker knew what it was about. Our boss saw the aftermath of an accident around 7:00am. It was a mess. A car going southboard, aiming to turn east, hit a motorcycle going north. She hit him bad. He probably died instantly, as body parts were severed. Our boss saw an arm elsewhere of the body. It's really quite sobering on the eve of my court business regarding the ticket concerning my 'incident' ("failure to yield"). People! Slow down! There's no place you need to be that requires rushing. Make sure you get there safely. Take time to really observe the roads! Make sure you know the conditions! (And you know I'm telling myself that, as well...) |
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© Joan Lansberry