Saturday, February 21, 2009

"Strange Dreams and..."
9:02am

I'm gradually learning my way around Facebook. There's lots of areas I don't understand, a hundred 'requests' I don't know what they're for. But I'm learning the general communication style of brief 'status reports'. Thus it was I posted this morning:

Joan slept in to 8:00am, but what strange dreams I had. I think I was influenced by Julia's channel hopping last night. Flower pod people and...

A friend commented:
They want to be DRAWN! ;-)

I replied 'at 8:37am February 21':
I haven't done an intuitive piece in a while, maybe they do want to be drawn!

So I gave them a chance. I'm not sure the pods showed up, unless you count the 'floating eye' in this drawing:

Man, those were crazy dreams, though. Julia and I went to a restaurant (were we in Casa Grande?) where we were to meet someone. There was someone riding along in the back seat (who looked like Laura's son Anton), but didn't want to go to the restaurant, he just wanted to nap. So we let him nap.

The restaurant had polished dark wood furniture. I think we met up with someone we knew in Casa Grande, (who has since passed away in real life). I can't remember what we ate, so I suspect it was ordinary.

We returned to the car, and found a layer of green plants had begun to grow all over our napper's body. We expressed alarm, but he assured us he got what he came for.

The next scene, we were at our old house on Azalea street in Casa Grande. The back seat rider had transformed into a flying flower pot pod person, and he was doing surveillance for the government. I'm not sure we felt all that much safer!

Sunday, February 22, 2009 A

"Morning Routine"
10:30am

The morning has progressed like most Sunday mornings do. We watched the CBS Sunday morning show, then I tucked into web work while Julia began meal preparations. I love watching Julia work. As I observed her chop eggplant for ratatouille, it occurred to me this scene would be suitable for the Photo Friday theme of "ROUTINE", for it is a routine, and she was chopping at 10:00am this morning:


In the background, you can see our crowded house...

I'm not sure why her dress came out blue, it is purple. I did some hue shifting towards the purple range, but I didn't want to shift so far that her skin turned yellow.

In addition to the photo gallery, I now have the Boyce Thompson Southwestern Arboretum pages and the Canyon Lake photos up on the joanlansberry.com domain and improved. I was not able to find original photos for all, but I was for many. Also I improved the Canyon Lake index page. It had been a long string of teeny tiny thumbnails, so I made the thumbnails a little bigger and put them into a three-across table.

Some of those photos taken with old cameras are kinda antiquated by today's web standards, but even though small and sometimes a bit pixelated, they are capturing beautiful places, and hence for me, worthy of perservation.

Sunday, February 22, 2009 B

"Afternoon Outing"
5:20pm

I was in the mood to see flowers today, and I knew just where I'd find them:


Robert J. Moody Demonstation Garden

At first the sky was overcast, but by the end of our outing, it was sunny and warm, 78°F( 25°C).

Most of the flowers were blooming, and the bees were very active:


Bee detail...

The garden has not only flowers and herbs, it has eggplants!

Granted, they're quite a bit smaller than the ones Julia was carving on earlier this morning...

Tuesday, February 24, 2009 A

"Understanding the Process I"
5:51m

I'm looking at old journal entries, hunting the evolution of one of my artistic processes, the 'automatic drawing'. I found the first hint of it on July 7, 1998:
portal to the unlimited heavens

"Another picture is done! 'Portal' neatly takes the clouds from the photo of a cloud-filled sky I had originally used for Part Four, and the window from the window rock I'd used in Part Six. It was an image that came to me, much as my poems come to me. Perhaps there is a muse for the art as well, and all I need to do is trust Her for the images. I used to think all I could do was slavishly imitate things already existing in nature. Laura has through out the years tried to encourage me to use my imagination. I'd demur, but Laura insisted I could and would some day. Perhaps, in this, as in many other things, Laura is right again!"

It was several years before I toyed with that idea again, October 5, 2003:

Automatic Doodling, A New Form Of Self Exploration

"For many years I've known the value of what is sometimes called 'automatic writing', in which the writer just takes down the words as they come to her. Now I am learning the value of 'automatic drawing', in which I just let the pen move where it wants. I created two doodles last night which prove reflective of my inner mood:


''Illuminaria Looks Outside, Worried''


''Sad Charlie''

"The sad, ready to cry, emotions at the surface portrait is my inner child, Charlie, who is always close to my emotions. The lady observing out the window is my inner parent, Illuminaria, looking for what lies ahead on the horizon.

"She has cause to be worried, for tomorrow we learn the results of Julia's biopsy. I hope these doodles are only recording my inner worried state...

"In any case, this is a new way to record the truth of my inner self, and one which I'll use often.

"(Note from the future . Yes, the test results are good!)

In January, 2006, I learned I wasn't the only one to get this idea:

Self Talks to Self

"I'm not sure how these things happen. I followed a link from a link from a link, and there I was at some page discussing automatic drawing:

"So Automatic drawing, one of the simplest of psychic phenomena, is a means of characteristic expression, and if used with courage and honesty, of recording supconscious activities in the mind. The mental mechanisms used are those common in dreams, which create quick perception of relations in the unexpected, as wit, and psycho-neurotic symptoms. Hence it appears that single or non-consciousness is an essential condition and as in all inspiration the product of involution not invention."
Austin O. Spare and Frederick Carter

Spare and Carter say further:

"An "automatic" scribble of twisting and interlacing lines permits the germ of an idea in the subconscious mind to express, or at least suggest itself to the consciousness."
"You know how it is, I get weary of words, and want images. I reached for the pen. Here are some words to help explain my image:

"The ongoing (see infinity sign) process of dialogue with mySelf (see 'two heads', indicating the two forms of consciousness...): This is how I view the 'automatic' process. This is NOT 'non-conscious', as S.& C. say, but a Different type of consciousness. Self talks to self. See there the one with the crown has her mouth open.

"Meanwhile, surface mind must get itself out of the way. It must listen. It maintains only the basic function of keeping hand and pen to the paper, and then it steps out of the way for the 'subconscious', which speaks mostly in symbols, to step forth. Mostly, it seems, I wait for transmission of impulse to make a line."

The 'subconscious' speaks in symbols, as I discovered December, 2006:

"Trying to Grab Ahold of a Concept"

Sometimes the process of trying to grab hold of a Concept does feel all disjointed...

"After I drew this, feeling no more impulse to draw anything else in addition to these few lines, I first thought, "Oh that's not so good. The arms aren't even connected with the head!" But my next attempt with the 'automatic' drawing had the same theme, but very clumsy. I figured my 'subconscious' really wants to get this message across. Then I realized this drawing's very disjointed nature is part of its communication, that trying to grab hold of a concept DOES feel very disjointed."

Since my initial experiments, this technique has proven a very rich resource. One of my favorite artists, Jean Cocteau, (1889-1963) has said:

"Art is a marriage of the conscious and the unconscious."

I'd noted some of his pieces remind me of my 'automatic drawings', and I'm not the first one to note this, as:

"The French critic Milorad has called these distinctive cartoons "the first automatic drawings," since they materialized from unconscious sources several years before the Surrealists extended the Dadaists' automatic processes to drawing by hand. Jean Cocteau said the Eugenes proved to him that art was born out of a marriage between conscious and unconscious."

My google-search turned up more about Cocteau:

"'I explore the void,' Cocteau announced, creating a work in which the artist searches for himself in secret: 'there one sinks into one's self, toward the diamond, toward the fire-damp.'" (Simone de Beauvoir By Deirdre Bair, page 126)

What comes from the portal of the 'unconscious' must be merged with the clarity of consciousness, and then true creativity results. I look forward to further strengthening this 'marriage' in all aspects of my artistic endeavors.

Tuesday, February 24, 2009 B

"Understanding the Process II"
5:51pm

I am suffering the effects of ten day old cheesecake. Belch! Julia cautioned me, "Are you sure?" I should have let her throw it out. Such greed that I had to have the last piece, and now I am paying. Belch!

But it is not nearly as bad as it could have been. Since quitting microwaved food, my digestive system is much stronger than it used to be. I am drinking soothing green tea, and gradually feeling better.

In my webtravels, I found an interesting art quote in a favorite journal:

"There is no mystery in a looking glass until someone looks into it. Then, though it remains the same glass, it presents a different face to each man who holds it in front of him. The same is true of a work of art. It has no proper existence as art until someone is reflected in it—and no two will ever be reflected in the same way. However much we all see in common in such a work, at the center we behold a fragment of our own soul, and the greater the art the greater the fragment."
- - - Harold C. Goddard (1878–1950)

Perhaps the more we are able to pull up truths from our intuitive side and integrate them with our reasoning side, the more our own artist's soul is revealed, and the more we reveal, the more others may be able to respond to it, sensing a commonality.

Thursday, February 26, 2009

"Set and Horus Silhouetted"
9:41pm

I learned that computerized metal cutters can create designs in flat metal pieces. Having learned this, I had to find out if I could create a suitable design. I assembled the various pieces for my template and started altering them. Julia looked at the original layout and couldn't visualize it. I wasn't sure either, but I had to try. I have some idea of what's necessary as I took a jewelry class in college. I remember punching a hole in the negative space, and inserting the slender saw blade. I'd reattach the blade into its holder and then cut around the negative space shape.

I doubt I'd have the patience or the accuracy to attempt the following design freehand, but perhaps I can make use of such a cutter:

Julia was surprised at my result and offered the idea of making a diamond shape so the nail would fit better. I didn't want to go too high into the support frame, so I just made a tiny notch above the squared off 'V' shape.


Horus and Set with Ramesses the Third seen at the Global Egyptian Museum website,
housed in the Egyptian Museum, Cairo
Granite, height 195cm, width 72cm, originally found at Medinet Habu

I used the photo of Set and Horus blessing Ramses III as the main template. I didn't want the pharoah in the middle, but rather an image to which more people could relate. So I found a photo of a real scarab and a stylized scarab (which is hieroglyph for 'kheper' aka 'xeper', 'coming into being') on the web, and put the 'neb' hieroglyph for 'lord of' underneath. The 'Ra' sun also serves as a connecting device to the top border. So basically I'm trying to express Set and Horus blessing one's 'willed conscious evolution'.

Friday, February 27, 2009

"Artful and Unusual"
8:11pm

Julia and I began our weekend with a visit to old Town. An art opening was going at at the old theatre art exhibit area. I learned it is the 'Yuma Arts Symposium', an annual event since 1976 which attracts artists from all over the country. They trade pins, and one wall of the exhibit area was full of the various pins one attendee had collected through out the years.

It was a wide variety of art. I liked most three copper pyramids with colorful glowing benbens. They were engraved with several Anubises (Anubi?), a Xeper scarab and hieroglyphs, along with some cute crawling lizards.

I enjoyed the snacks, the veggies and spinach dip, the cheese and jalapeno crisps, and ooh, the brownies were divine. That wasn't the only festivities. A street fair was going on, with belly dancers and later, a rock band. After the food for the soul and bod Julia and I ambled to the Wine Cellar, and had the six samples. We saw a friend there and enjoyed a bit of conversation.

Afterwards, we walked up to the Main Street Cinema, where we each got the lemony 'Mike Myers' smoothie. It was too stuffy to sit inside, so we sat outside to enjoy the cool, fresh air. I could hear the musicians in the distance, and watched cars entering, not seeing the 'road closed' signs in time. Several had to turn around and exit.

But the most spectacular sight was the smiling moon, with its sparkling 'playmate' so close:


Julia knew even without consulting her star programs that it was Moon conjunct Venus in Pisces

Even without consulting
the horoscope, it feels like a good omen. After consulting, I read, "There is an indication that your ship will come in." The moon, so turned, looks not only like a smile, but also a boat!

Saturday, February 28, 2009

"Greatly Restored"
4:58pm

I woke this morning with a dreadful sinus headache. I took some medicine (simple aspirin and a herbal remedy), and endeavored to get on with the day. If I can't have my silhouette design worked up in metal, I will at least have a print of it. So I made a jpg to fit 11x14 and that is now in the print gallery. I also wanted a print of the 'pink' mandala, so I jpg'd it, and made it to fit 11x14. Next, I tried to decide on what photos to have in the county fair. But, oh, my head hurt so bad! I couldn't decide. I asked Julia. She couldn't decide. I found one I'd already made for such, and figured I'd done that in a clearer head day, so sent that one off. (I am doing them different this year. Rather than paying for a framing matte, I'm going to attempt one myself. To make it easier, I am putting the photo on a 16x20 print (the necessary size of photo and matt). This way, it will easier to attach the matt if the print goes all the way to the edge. Or so I think?)

That print order off, I wanted to get walking. The fresh air and nice scenary would if not help my sinuses, at least distract me. So we headed off to Gateway Park. I didn't understand why so many of the roads were blocked off at first, until I realized the 'North End' bicycle race was on. So I turned around and headed back to Giss parkway. Julia thought I should try to go up to Gila, that we'd get access there. But I wanted to go the usual way. We had to park a good way away from the park, however. The start/finish station for the race was near there. I didn't mind, for we could watch the bicylists, so lean and fast with their chiseled muscles and their skinny wheeled bikes. As we got up to the park entrance, Julia noticed before I did, yes Gila street had not been blocked off. I didn't mind, though.

While on the walk, we observed the progress on the hotel. It's coming along, and maybe it will open soon. While walking, I noticed bicylists on the park trail, as well. They, however, weren't young, lean and on thin wheel bikes. But I imagine they enjoyed the fresh air and scenery a good deal more on their sturdy bikes and relaxed pace.

The walk did help my sinuses, and I found myself both thirsty and hungry. I was glad Julia suggested going to Jeannie Wah's restaurant, instead of just a smoothie shop. I tried shrimp and broccoli, and Julia had a spicy fish dish. I liked her fish more than I did my own, and she was happy to lend most of it to me, as it was breaded. I don't mind breading, as long as it isn't greasy.

When we got home, I spent enough time to look again at photos. Being refreshed, I could see right away, one I had been considering was much too busy, and the other was busy, but an interesting sort of busy, with a clear central visual element. So I sent for a print of it as well.

After checking my email, I tucked in for a long nap and then a bath. I now feel greatly restored.

Sunday, March 1, 2009

"Sick with Cold"
6:09pm

As I clean up webpages, I am amused to read that over three years ago, I was:

"Too achy to be much creative, I instead did 'grunt work' the past couple of nights."

Sick with cold, I am doing such today. I removed quite a bit of web litter that I left when I moved this journal over to the joanlansberry.com domain. After I got bored with that, I moved the balloon photos from 2002 and from 2006 over here.

Someday, somewhen, I'll get this mess organized the way I want. But I've done enough organizing for tonight, and will watch TV and a movie we borrowed from the library.

Stay well, all of you. (Get well soon, if you're ailing!)

Monday, March 2, 2009

"Cough, Cough, Cough"
10:32pm

Ah, it is no mere 'cold' I have, it is the flu, as my fever has been quite high. I take aspirin and put a cool washrag on my head. I did go to work today, but did not last the day, going home around 1:00pm.

In between naps, I played some more with my silhouette design. If it will be used for a jewelry pendant, the design requires simplication. So I have:

The bottom gives more of an idea of actual size.

After watching a movie, (The rest of the old 1945 French film "Children of Paradise", very interesting), I did go to bed early, and even took some cough syrup in hopes of a good night's sleep. But it seems little effective, for I am still coughing.

I will make another attempt for sleep...

Forward...
Go Back to Archives...
Go Back to Main Journal Index Page...
Go to Index of Joan's pages...


© Joan Lansberry