
Tuesday, September 29, 2009
"Drawing of Julia Watching TV"
10:14pm
We went to the library earlier tonight. I am not finished with the books I borrowed earlier, so I looked at magazines which she hunted for books. One of the magazines is geared to artists, American Artist. This month's issue featured a segment on a portrait painter, and when we got home, I took to the web to learn more. A link from a link to a link led to
Igor Babailov's site. He has clues there for artists. He stresses the value of drawing. This is encouraging, because he says, "Even when you paint you never stop drawing, only this time you do that with the brush." He prefers drawing from life, rather than from photos.
That, of course, limits the subject matter. Renoir did 'Gabrielle this', 'Gabrielle that', Gabrielle in every pose imaginable.
Julia was watching TV, paying rapt attention to the PBS special on National Parks that is airing all this week. This is good, because with something to focus her eyes upon, she sat quite still:

Julia exclaimed, "That's the best drawing you've ever done of me!" In that case, I must do many, many more, in hopes each succeeding one earns 'best'.

Wednesday, September 30, 2009
"Some Sketches, Including One of Ken Burns"
10:14pm
The first sketch was from a photo of the
Head of the World Health Organisation, Margaret Chan:

Twenty minutes with a greatly magnified photo ...
Then I took some "semi-live" challenges from various talking heads on PBS:

"Dennis ?" was interviewed on Horizon
(He has unusual bags under his eyes ...)

This man was on the same Horizon, in a feature about Arizona State Parks, Grady Gammage, Jr. saying our parks need help.
(Three different people were interviewed, so this is a very quick sketch!)
I had more time with the next drawing. Ken Burns, who directed the National Park program which is airing all week, was interviewed on Horizon, first aired September 28th, and repeated tonight)

Ken Burns said early on "History = Story"
I enjoyed drawing his boyish face, so easily showing his enthusiasm.

Thursday, October 1, 2009 A
"Cool Weather and a Cool Link"
6:26am

69F (32C)
Sleeping was wonderful last night. We didn't need fans and by morning, I wanted the covers. Hopefully we have seen the last of triple digits, (two days ago, still in the hundreds).
I gave split attention to the park program last night, for I've been looking at art on the web. I've been impressed with many of these portrait painters. They have amazing likenesses of people. Their use of color has been adept, although occasionally I found puzzles. Sometimes I wondered, for instance, why they chose such and such color, for my eyes would go to the bright chair and ignore the man standing beside it, for instance. But I can learn from those artists, the precision in their rendering.
Meanwhile, last night I made web aquaintence of a painter who is a master of color and light. Daniel Gerhartz' painting 'Amaryllis' just sings with color! Here at last is a living artist who is equal to Renoir, Monet and Sargent! (That last link leads to lots of Sargent, another artist whose works I want to study.)

Thursday, October 1, 2009 B
"At Odds"
11:37pm
I tried to go to sleep, but found myself restless. So I decided to siphon off some excess mental energy by doing an intuitive drawing:

"Wants to be Wild!"
I'm certain what influenced this image was knowing the circus is coming to Yuma and that this is a circus which is known to abuse the animals. The text at the link says:
"Every autumn, the circus comes to Yuma promising “Tons of Circus Elephants.” Overwhelming evidence exposes horrendous cruelty that circus elephants endure for every minute of their lives. Undercover video shows circus trainers repeatedly beating elephants with bullhooks and electric prods. When not performing, elephants are kept chained in barren stalls or in a semi-trailer. These same elephants regularly walk twenty miles a day in the wild."
Maybe there are some animals who like to perform, and who are not abused. But clearly, these elephants don't want to be forced to do this. In the best of circumstances, it's at odds with their nature. They want to be wild!
(Maybe my image seems a bit 'cutesy' for this serious subject. But at least I am bringing attention to this.)

Saturday, October 3, 2009 A
"If At First You Don't Succeed..."
10:13am
I've been thinking of doing a drawing of Julia reading. Yesterday, when I came home from work, I took the camera and snapped her from all sorts of angles. I decided this view was nicest:
So I found my last remaining piece of 16x20 bristol board and had at it. The eyes came out slightly odd, but I continued with it. Then I got the stupid idea to use an indigo blue pencil for the under shadows. BAD IDEA!
No matter how I erased, I couldn't get it any lighter. I couldn't hide it with a lighter shade, because colored pencils are semi-transparent. Julia commiserated and said it was due to the way the camera captured shadows. Maybe those artists that eschew photos are right. So this morning I tried her live:

This on 11x14 bristol board...
When I showed it to Julia, she was nearly speechless. I tried probing her. "You've made my hand look like a claw!" She noticed her frowning expression, and allowed it might be due to the book not being all that great. "Too much like another book I've read earlier!"
I sat some distance from her, and myopia doesn't allow a very good view of hands. (I can't wear glasses and see well enough close-up, even with the expensive correction in the glass.) Hmm, maybe those artists that prefer photos are right. But how do I use the photo without being a slave to it?

Saturday, October 3, 2009 B
"Try, Try Again..."
10:13am

This on 11x14 bristol board...
(Michael's no longer carries 16x20 bristol board and the 14x17 in. 'drawing paper' is too thin, and wouldn't even take erasures well,
let alone hard and heavy application of colored pencils)

Sunday, October 4, 2009 A
"Colortest"
7:56am
I woke this morning to find the moon, fat and full and 'low' to the earth, visible from our living room window. It didn't take long for the sky to turn bright with sun's light, as I took a look around some of my web forums. Before I started work on my new artwork, I thought of wise words I've read this morning in those forums. Regarding a balance between confidence and humility, it is a sense of humor which maintains this, that insures we can see our flaws, not give up and still have fun doing it.
The words of the German writer and deep thinker Goethe ring very true:
"What you get by achieving your goals is not as important as what you become by achieving your goals." - Johann Wolfgang von Goethe
I think of that in regards to my artwork. Is it good? Is it bad? Certainly, at the very least, it takes turns with success. But there may be a more essential benefit in what it does for my observations. I am more aware of the small details in my environment. I know I am more 'alive' because of this.
With these reflections in mind, I began considering today's piece. I don't want to be a slave of the originating photo, so I worked out a color scheme on the digital version:

I will refer to both the photo and this color test when I take colored pencil to my drawing.

Sunday, October 4, 2009 B
"Colored Pencil Result"
12:47pm

This is 'as is', without any digital enhancement...
Shall I have a digitally enhanced version too? It might be nice to have smoother coloration and dark black lines. The question is how might I effect some version of that on the original?
Note of 4:23pm
I did smooth the pink-magenta of the sofa out quite a bit and smoothed the grayed lavender of the wall some using the colored pencils. (Still no digital 'fixes'!) I'm pleased, now.
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