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Tuesday, November 3, 2009
"Moleskine Drawing"
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9:43pm
Saturday, November 7, 2009
"Midnight Illuminations"
4:12am
Wednesday, November 11, 2009 A
"Portrait of Richard Owen"


1:25am
I'm envisioning this in color, too...
10:05am
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Today is a much needed break from the craziness of the busy season at work. (Oh, yes, and a day to remember veterans, as well.) Last night, after getting fortified with a tasty salad Julia had made and some cheese chunks and toast, we went to the library. I had hopes of finding a book that might give clue as how to proceed with the oil sticks I bought. I'm hoping these oil sticks will be a nice transition from colored pencils to the durability of oil, but still with the flexibility of pencil and hopefully relatively less messy than oils. I didn't find much info about oil sticks, but I did uncover an intriguing book about portraiture, _Portraits from Life in 29 Steps_ by John Howard Sanden. Sanden is"...one of a dozen or so (of America's) portrait kingpins..." as Sanden's website quotes from Forbes magazine, and commands 50,000 dollars minimum per portrait! (Oh, how I wish I'd have been able to have gone in that career direction when younger!) But I'm not going to let that discourage me now, as I work in my spare time to learn art. Sanden gives advice in this book, to get the 'map' first, as you "establish size and placement" and "landmarks". He says of the three properties of color, hue, value and intensity, value ("the lightness or darkness of a color") is most important. We might foul a hue or intensity, but if the value is correct, the forms will still be apparent. So I gave this a couple of tests, a brief one last night, and a forty minute effort this morning. I just grabbed pencils based on their lightness or darkness, with no thought to what color. I grabbed from lightest to darkest, Prismacolor's "cool gray 10%", "French gray 30%", "rosy beige", "parma violet", "warm gray 70%" and "indigo blue". Turning to my favorite Flicker source, I found a photo of Richard Owen (1804-1892), Medical Scientist and Paleontologist. He had an interesting face, Owen "is probably best remembered today for coining the word Dinosauria (meaning "Terrible Reptile" or "Fearfully Great Reptile") and for his outspoken opposition to Charles Darwin's theory of evolution by natural selection. He agreed with Darwin that evolution occurred, but thought it was more complex than outlined in Darwin's Origin.[1]" There's controversy surrounding him, but perhaps "the portrayal of Owen as a vindictive and treacherous man was fostered and encouraged by his rivals". In any case, he had an interesting face:
![]() Original photo here if not there
I like to think I've captured this man's stubborn unwavering determination. His eyes might be a bit too big, encouraged by the fact his eye ball openings are rather large. However there's white beneath the eye's iris. But I think there's slow progress. Slow is better than no...
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Wednesday, November 11, 2009 B
"Laloux Sauvage"
Then, after dropping off the goodies, on to Michael's. I feel such confusion about the oil sticks, but I now have a practice board on which I'll draw/paint my own head, and a 16x20 stretched canvas on which I hope to do Julia reading. I got the linseed oil and the stink-free cleaner and a fan brush and... ...maybe this coming Sunday I will give them a try. After those purchases, we went to Hastings, and got two rentals. "The Brothers Bloom" await until later, while this afternoon we watched "Fantastic Planet" (La Planéte Sauvage), an animated film which "depicts a future in which human beings, known as "Oms" (a word play on the French-language word hommes, meaning men), have been brought by the giant Draags to the Draags' home planet, where they are kept as pets (with collars). The Draags are an alien race which is humanoid in shape but a hundred times larger than humans, with blue skin, fan-like earlobes and huge, protruding red eyes. The Draags also live much longer than human beings – one Draag week equals a human year. Some Oms are domesticated as pets, but others run wild, and are periodically exterminated. The Draags' treatment of the Oms is ironically contrasted with their high level of technological and spiritual development." Imdb calls it "a metaphor of class struggles." The imagery is fanciful and dreamlike, even though the oms get squished and squashed and... ...it ends happily, although abruptly. From the interview with its director René Laloux, the abruptness is due to budget overruns. It had been a struggle to get it filmed. When I saw Laloux's somewhat wild appearance, I had to sketch him:
![]() Sketched from the documentary "Laloux Sauvage", at the point when he says "We are demanding people, after all" (subtitled translation, of course!) |

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I went to bed at 7 o'clock, really quite done in with a sinus headache. That nearly guaranteed middle of the night wakefulness. Sinuses are subdued, and I was prowling the web. I'd caught an article in my paws, read the first page, and then felt the urge for a doodle:
![]() (Original size available, too, 10x12 inches, line drawing with digital coloring...)
"In my view, the two principal female characters, Ihweret “Great Ihet” and Tabubue “She
of the Shining One,” should be understood as reflections of two different aspects of the
goddess Isis: a beneficent and a threatening aspect, respectively."
I'll get back to reading that article. I'll get back to reading a LOT of things, I have so many partially read things, the Sanden book, that book about Matisse, a fiction book in which the main character is languishing in so many torments, another fiction book which I haven't even picked up, and...
...But for now, I shall return to bed.
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Friday, November 13, 2009 B
"Three Jugs"
![]() Three glass jugs probably from Syria-Palestine CE 200-400, now at Los Angeles County Museum
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Saturday, November 14, 2009
"Drawing of Ian McKellen"
![]() (Original size available, too, 11x14 inches, graphite pencil, colored pencil...)
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