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| The text at the Global Museum explains: "Each god has placed one hand on the crown of the king, performing the Coronation of Ramesses the Third.". This is likely the 'accession' referred to in _Shamanic Wisdom in the Pyramid Texts_ by Jeremy Naydler. Merriam-Webster defines 'accession' as "the act of coming to high office or a position of honor or power <her accession to power>" |

Naydler explains:
The baptismal water he refers to shows in a much later relief "Horus and Thoth purifying Ptolemy XIII at the temple of Kom Ombo". In both Unas and Ramses III, the deities have their hands at the pharoah's crown.
I wondered at this change to Horus and Thoth, rather than Horus and Set, and thought it was due to changing attitudes towards Set. But Wilkinson shows this is not so, for even when Set is not shown, he is still understood to be there:
Giving examples of when 'two' actually represents 'four', "in a classic study of the royal purification ritual, Sir Alan Gardiner showed that the two gods usually depicted performing the act of lustration - Horus and Thoth (ill. 124) - actually represented the four gods of the cardinal points Horus, Seth, Thoth, and Anti who transferred to the king a portion of their power as the divinities of the four quarters of the world. Private representations of funerary purifications (which were symbolically parallel) actually show four priests performing the rite, but the royal depictions of this ritual almost always depict only two of the deities, perhaps for purposes of symmetry and representional balance. Whatever the reason, once again we see two representing four and thereby carrying the connotation of the extended number, though the use of the two deities Horus and Thoth (paralleling the common use of Horus and Seth) may also have connoted the dualism of Upper and Lower Egypt." (from _Symbol and Magic in Egyptian Art_, by Richard H. Wilkinson, page 139) |

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They describe it as "A Papyrus commemorating Senusret III's Sed-festival" and per their usual, give no proper attribution. Also, I've never seen papyrus that looked like stone! But they did get the pharoah identified right: |

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(Basically, the Heb Sed was a festival to show the king's strength, held every thirty years to show he still had the right 'stuff' to rule). With a little search, I found several references to this piece in Wilkingson's _Reading Egyptian Art_. He features a nice clear delineation of that Set figure:
![]() "Seth standard, on lintel of Sesostris III from Naq el-Madamud. Twelfth Dynasty." Note, too, the 'gold town' "Nubt" hieroglyphs, since he is associated with Nubt, aka Naqada
Wilkinson also gives two other nice linear clarifications of the Heb-Sed lintel:
![]() "Heron standard, on lintel of Sesostris III from Naq el-Madamud. Twelfth Dynasty."
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The palm hieroglyph repeats through the piece as a visually unifying element. "A branch of the date palm (Phoenix dactylifera), stripped of its leaves and notched annually, appears to have been used as the standard method of recording years in ancient Egypt from the most distant times." "...the palm branch hieroglyph was used in such words as renpet: 'year' and ter: 'time' or 'season,' from Old Kingdom times."_Reading Egyptian Art_, page 119 Here is a linear drawing of Amenemhat's lintel from his pyramid temple at el-Lisht:
![]() Again, the pharoah is at his sed festival and the palms are being presented _Temples of Ancient Egypt_, by Byron E. Shafer, Dieter Arnold, page 77 (Closer view of Set available See printable pdf of this.
Merenptah has a Heb-Sed festival lintel as well: |

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Also see the relief of Rameses II being blessed by Set and Horus.
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